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broszat
Jul 19, 2025
In Smelly spoons
Ik heb een oud boek met prachtige illustraties. De kleuren vonkelen nog steeds terwijl het papier is verkleurd en vlekkerige sporen vertoont van ouderdom. Ik weet niet wat voor inkten het zijn of dat dit een druk vol steunkleuren is, maar ik ga dit zeker met mijn drukker bespreken voor Iconen van de Waterroute.
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broszat
Jul 08, 2025
In Smelly spoons
Weten is niet aan de orde,
Jij hebt toch geen uitleg nodig?
Ik kan licht zijn omdat ik zie
Ik kan voelen met mijn ogen dicht en open
Wie ik ben hoef ik niet op te blazen,
Niet te verstoppen, niet uit te leggen
Mijn intuïtie rent als een paard
Waarbij iedere stap versnelt
Of verbeeld ik me dat maar?
Pas als het eerlijk voelt, doe ik wat
Wanneer de stilte klopt
Tot die tijd: ik wacht niet.
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broszat
Jul 05, 2025
In Smelly spoons
I travel all over the Netherlands, but I don’t see a crisis with refugees. What I do see is a shortage of workers in nearly every sector. We need people.
Besides, the number of refugees arriving is already decreasing. And let’s not forget: we often share responsibility for the very conditions they’re fleeing.
The real challenge isn’t about who comes here—it’s about how we keep this country moving forward. Strangers become a lot less strange once you know them. And today, with the internet in your pocket, there’s no excuse not to.
The hysteria around turning people into enemies is beyond stupid. We’ve lived in a globalized world for decades—pretending we can return to some mythically pure, homogeneous society is a joke. Who are we fooling?
After 25 years of political grandstanding—mostly under right-wing governments—one thing is clear: populism doesn’t solve anything. It just hits pause.
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broszat
Jan 22, 2025
In Smelly spoons
It is not so strange that, in conversation, one might point out that the greatest achievements in human history have invariably come at the cost of untold human suffering. But this is no ordinary conversation. Perhaps someone should have told him that such a discussion is no reason to aspire to become a world ruler. Perhaps our great friend sees himself as a builder of pyramids, cathedrals, or great walls—and thus believes it justified to deceive and exploit the foolish masses.
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broszat
Oct 20, 2024
In Smelly spoons
In 2011, I found a new theme to explore: medieval imagery. In the Middle Ages, oil paint didn’t exist, which led me to experiment with egg tempera.
During a workshop held by a friend of mine, I had to bring a panel to paint on. That eventually became my first icon, #001. This was the start of a series that would grow much larger. Shortly after, I created a sculpture of the Mother of God, an imposing figure with a cross shape at the front. The back, visible only if you walked around the piece, was even more surprising. Mary wore a cloak richer and more impressive than the finest damask. She wore art — a cloak made up of thirty-four small icons on panels. I painted forty but had six left over. This is how my icon series began, and it has been growing ever since.
What struck me later was how medieval imagery was strongly influenced by what happened along the Silk Road. This route was not only a path for goods but also for ideas and knowledge. It brought cultures together, and this is something that has increasingly shown up in my work, including my icons. What started as an experiment with ancient techniques has now grown into a series that explores the connection between worlds and eras.
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broszat
Oct 16, 2024
In Smelly spoons
Yesterday, I listened to Marijn Kruk on BNR's Big Five discussing populism. What struck me was how he makes a genuine effort to take those who think differently seriously and to understand why they think the way they do. It’s rare to encounter someone who truly makes that effort.
Kruk said something that stayed with me: "Identity and identity politics belong to the right, especially to populists. You’ll never win that battle." I see it differently. Identity, above all, belongs to the artist. Politicians cherry-pick elements from art to fuel their propaganda, but identity is much more than a political tool. It is a deeply human phenomenon that belongs to all of us, and we should not shy away from exploring and reshaping it.
Kruk also said that you need to tell your own story, a different story. That’s essential, and that story can also represent a new identity. This is where my work comes in. Identities are constantly shifting, whether in fashion or culture. Those who look deeper will see that identity isn’t merely a surface issue—it’s powerful because it has so many layers.
Through my art, I explore the possibility of a new culture. A culture born from fiction, yet firmly rooted in contemporary reality. To truly understand that reality, one must be willing to understand those who think differently. That is where the challenge lies.
My prediction? The art world is on the verge of embracing psychology and anthropology. Only by gaining a deeper understanding of human nature can we elevate art and culture to a higher level.
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broszat
Oct 10, 2024
In Smelly spoons
When I see a painting from the Orientalist movement, filled with clear romance, I feel a strong attraction. The beauty and adventure are hard to resist. It shows a world I don’t fully know, rich with new flavors, possibilities and views. An exotic and mysterious realm calls to me, inviting me to get lost in its charm. I enjoy it. Yet, I also sense a discomfort—a tension that lingers, as if something essential is wrong with that representation.
These works, as beautiful as they are, carry a problem. They create an image born from fantasy and projections, not from the reality of the people depicted. Those individuals would never recognize themselves in the stereotypes and idealized images that distort their identities. It leaves a bitter aftertaste to the sweetness.
However, I can’t deny that this contrast fascinates me. It’s a bittersweet illusion that becomes more powerful because of that discomfort, as if a nightmare feels more real than a cheerful dream.
In my own work, I aim to engage differently with this attraction. The idea of openness I see in the history of the Middle East and the Silk Road, especially during the Middle Ages, inspires me deeply. It was a time when cultures came together and knowledge flowed freely. Think of the science, philosophy and art that emerged when ideas could travel freely. I take that freedom and exchange, but I don’t turn it into a Western fantasy. Instead, I make it my own by working from my fascination with diversity and imagination. I’m not trying to imitate; I’m exploring possibilities.
My work isn’t a solution to the complex history of cultural representation. It doesn’t offer simple answers; instead, it looks at the potential for a future that works for me. The world we live in often doesn’t meet that desire. Art can be a space to express that longing—a possibility, not a fixed image.
While Orientalism focused on romance, I seek what moves me, what surprises or amazes me. I carry stories and traditions with me, taking them to the edge of imagination, allowing them to mix with dreams to create art. The tension between attraction and injustice in Orientalism is still present; I see it, I feel it, and I won’t ignore it. I choose my own path—one that begins with curiosity and openness, leading to a new conversation.
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broszat
Aug 21, 2024
In Smelly spoons
This morning, I watched a debate featuring Douglas Murray (link: https://youtu.be/y0_JtKOZbKo?si=3jZOQyFbrb9Je1ru). More than once, Murray has left me feeling disgusted—not out of spite, but because his remarks often seem to revel in the suffering of others, particularly when discussing sensitive issues like the victims in Gaza. It's disturbing to watch someone appear to take pleasure in saying the most horrible things.
I do admire his intelligence and knowledge of global conflicts. However, when someone combines eloquence, intelligence, and what comes across as sadism, it becomes unsettling.
To better understand the world, I always try to see the "other" perspective. I’m not a black-and-white thinker, though sometimes I wish I could be. That’s why it’s hard for me to label someone as purely evil. I’m currently watching the Netflix documentary *"Hitler and the Nazis,"* where you see Hitler’s close associates during the Nuremberg trials. It’s difficult to comprehend how someone can be so pathologically evil—just as it’s hard for me to believe Hamas committed the atrocities on October 7th last year. But when I see Murray, who is respected by people I respect, like Jordan Peterson and Sam Harris, I feel a physical sense of disgust. How can a clinical psychologist like Peterson not address Murray’s inappropriate comments?
I had to turn off the debate because my hands were shaking with shock, and later I found myself snapping at my son because I was still angry. I know I’m sensitive, but this was extreme, even for me. That’s why I’m writing this.
I strongly support freedom of speech. In debates, however, I often see insults used as a tactic when someone lacks substance or debating skills. With limited time to make a point, saying something shocking forces the opponent to respond before they can present their argument. Murray is particularly skilled at this, delivering cutting insults that make him appear strong. We humans gravitate toward strong leaders, but harshness often seems to win out over compassion in the short term. It’s easier to mock someone than to explain why they’re valuable, or to label Palestinians as terrorists than to discuss the complex issues of Israeli settlements and decades of Palestinian suffering.
Good and bad people exist everywhere, including in Israel and Palestine. It’s much easier to talk about good and bad people than to address the complexities of good and bad behavior.
I’m very reluctant to label someone as evil; their actions have to be consistently and egregiously wrong. A wise person would use a debate to help the world move forward. That’s certainly not what Murray does. He silences anyone who disagrees with him by calling them anti-Semitic. By his definition, I would be labeled as such, and that is far from how I see myself. Quite the opposite.
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broszat
Mar 19, 2024
In Smelly spoons
I couldn’t be interested in borders because of my condition: I suffer from curiosity and understanding that we all share this planet. Mine, mine, mine= I wanna win, win, win or I’m afraid, afraid, afraid doesn’t stick to me.
I suffer from curiosity and I’m loving it.
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broszat
Mar 19, 2024
In Smelly spoons
We have lost control of our sense of reality and very soon also of technology.
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broszat
Dec 04, 2023
In Smelly spoons
I would love to do a collab with the one responsible for the idea and execution of this video by M.I.A.
https://youtu.be/3Yuqxl284cg?si=j1Aqw8E1BcCJB9eC(https://youtu.be/3Yuqxl284cg?si=j1Aqw8E1BcCJB9eC)
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broszat
Sep 15, 2023
In Smelly spoons
Here is a list of people of whom I think the sum of their insights and wisdoms bring a way forward for stalled discussions. Think of racism, gender, information overkill, personal development and so on.
Sam Harris
Jordan Peterson
M.I.A.
Gabor Maté
Susan Sontag
Dave Chapelle
Kate Shinha (Kirac)
Ricky Gervais
Dave and Shannon Powers (OPS)
Steven Fry
Lidewij Edelkoort
Jerry Saltz
Esther Perel
Jon Stewart
Sarah Silverman
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broszat
Aug 17, 2023
In Smelly spoons
There is something about a still image. I think the concept of freezing a moment in time relaxes us, cause we ourselves can not freeze time. Looking at something that moves slowly (waves in the ocean) or something still, calms us. If we look at something worthwhile it is even more intriguing, isn't it?
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broszat
Aug 07, 2023
In Smelly spoons
It’s not clear to me nor my family, but since I was 5 years old I was obsessed with China. In one of the books about China on my shelve, I discovered these two pages about the relationship between Russia and China. Triggered by the image, the text beckoned to me. These two countries will be of enormous impact on the world which is already evident on the Silk Road.
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broszat
Jul 18, 2023
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broszat
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